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How Scary Is Midnight Mass, the New Netflix Show by the Creator of Haunting of Hill House? 1 Show Will Make You Feel Gross, but You Should Watch It Anyway
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The good guys make a failed attempt to get Benedict to come out to them, because of course they’d be totally cool with that, but the movie, having it both ways, depends for its humor on the lisping caricature. Meanwhile, Samberg’s Benedict Arnold is a classic closeted queer-coded villain, with an evil, mincing British accent. (For the record: Apache.) There is a lot that’s odd about this mishmash: Why bend Edison’s race and gender, instead of picking a real-life Asian American or woman? Why not pick Frederick Douglass, who’s being recognized more and more, to be the representative of Blackness here, instead of making a joke about this character’s occupation? At the end, in the final battle, it turns out that “Black Smith” is actually “John Henry Smith,” and he wields a mighty hammer, but it feels weird to have this person turn out to be a mythical character when everyone else in the central Squad is a historical figure. The other three are not white men: Thomas Edison (Olivia Munn) is a Chinese American woman “Blacksmith” (Killer Mike) is a Black man Geronimo (Raoul Max Trujillo) is Native, though the others can never remember which tribe. Three of the six core co-conspirators against the British (Washington, Adams, and Paul Revere, voiced by Bobby Moynihan) are white men and are, at the beginning of the movie, represented as being various shades of racist. When it comes to matters of race and difference, the politics of this film are supposed to be woke (I think?) but end up in a muddle. Sam Adams (Jason Mantzoukas) talks about “the power of positive thinking.” The English king they’re fighting is “King James,” not “King George.” I could go on, and on.īut those moments of clarity are few and far between. After he kills Lincoln, Arnold jumps on the stage, Booth-style, and yells, “Sic semper my dick, bitches!” Looking for silver to melt down to make a bullet to kill Arnold, the gang of heroes robs a ship. Washington is best friends with Lincoln (Will Forte), who is, early on, assassinated at a Blue Man Group–style play by Benedict Arnold (Andy Samberg), who’s, oh yes, a werewolf. I confess to liking the careful use of anachronism in historically themed entertainment-sometimes you do that in order to make a point about the expectations of the viewer, or the transhistorical nature of memory, blah blah blah-but this is not that. The movie, which is about a group of ragtag heroes led by George Washington (voiced by Channing Tatum) in a fight against the British, whom they call “the fun police,” is just a mess.
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That’s it, the most charitable possible interpretation I can offer of America: The Motion Picture. At one point, Washington runs into a room after having discovered Martha has been kidnapped, yelling “Alarum! Alarum! Alarum!” I giggled.